The Tilak spot is consciously placed at the center
of the forehead between the eyebrows. This location is significant being
the location of ajna chakra, which is also known as the third eye, the
eye of wisdom (jnana chakshu) or the Divine eye.
Followers of Vaishnavism mark their foreheads with different styles of tilak to show that they are servants of Vishnu. The markings are made either as a daily ritual, or on special occasions, and denote which particular lineage, or sampradaya the devotee belongs to. The different Vaishnava sampradayas each have their own distinctive style of tilak based on the siddhanta of their particular lineage. The general tilak pattern is of two or more vertical lines resembling the letter U, which commonly represents the foot of Vishnu.
Vallabha sampradaya
In the Vallabha, Rudra-sampradaya the tilak worn is a double vertical red line which is rounded from base. This "U" represents Purna Purushottama Shri Krishna's lotus feet who is the only form of god worshipped in the Vallabha sampradaya.
Madhva sampradaya
Sri Vaishnavism
Gaudiya Vaishnavism
Nimbarka sampradaya
In Nimbarka Sampradaya, the tilak is made of Gopi-Chandana (the clay from Gopi Kunda lake in Dwarka, Gujarat), as described in the Vasudeva Upanishad. It starts at the bridge of the nose and continues as two vertical lines to the top of the forehead. This is said to represent the temple of God. Within these lines, between the eyebrows is a black dot, made from the slate found in Barsana, Uttar Pradesh, the sacred birthplace of Radha. This is said to represent God as Radha and Krishna together. This tilak personifies the tenets of the Sampradaya, that God is Radha and Krishna together, none else. It is supposed to have been first given to Nimbarka at the time of his initiation to the sage, Narada. The tilak is first given to an initiate by their guru at the time of initiation, and after this, daily the devotee will remember his guru before he adorns the tilaka on his head.
Gaudiya sampradaya
Gaudiya sampradaya
Haridasa Swami
Ramanandi, Ramanuja
Ramanandi, Ramanuja
Vishnuswami, Valabha, Radhavalabha
Shankara
Vaishnava, different ( as seen above )
http://www.radha.name/images-gallery/different-marks-tilaks
Followers of Vaishnavism mark their foreheads with different styles of tilak to show that they are servants of Vishnu. The markings are made either as a daily ritual, or on special occasions, and denote which particular lineage, or sampradaya the devotee belongs to. The different Vaishnava sampradayas each have their own distinctive style of tilak based on the siddhanta of their particular lineage. The general tilak pattern is of two or more vertical lines resembling the letter U, which commonly represents the foot of Vishnu.
Vallabha sampradaya
In the Vallabha, Rudra-sampradaya the tilak worn is a double vertical red line which is rounded from base. This "U" represents Purna Purushottama Shri Krishna's lotus feet who is the only form of god worshipped in the Vallabha sampradaya.
Madhva sampradaya
The Madhva sampradaya
mark two vertical lines with Gopichandana representing Krishna's 'lotus
feet'. In between a vertical black line is made from the daily coal of
the 'yajna-kunda' (fire sacrifice). In this sampradaya, the process of
worship involves 'nitya-homa', or daily fire sacrifices to Narayana or
Krishna. The remnant coal of the puja (worship)
is used each day to mark the forehead. Underneath the black line, a
yellow or red dot is added to indicate Lakshmi. Those who did not
perform daily fire sacrifice wear the simple two line tilak only.
The mark here is called Sricharanam. Members of the Sri
Vaishnava tradition form tilak with two lines representing the feet
of Narayana, with a red line in the middle which representing Lakshmidevi. A small line on the top bridge of the nose which represents that the wearer belongs to the Thenkalai subsect. Because the Sri Vaishnava
sampradaya begins with Lakshmi, and because they approach Narayana
through Lakshmi, their tilak reflects this process of surrender, known
as Saranagati (or sometimes also Prapatti). Within Sri Vaishnavism, this
process of surrender (sarangati) to Vishnu. A variant to this is found
within the Ramanandi sect, begun by Ramananda,
who wear a similar tilak design but in reference to Sita and Rama (whom
their devotion is focused upon) rather than Lakshmi and Narayana.
In the Gaudiya Vaishnava sampradaya the tilak is usually made out of mud from Vrindavan.
The main tilak is basically identical to the Madhva tilak. The slight
difference arose due to the emphasis on the chanting (japa and kirtan)
in the Gaudiya tradition. In Chaitanya Mahaprabhu's line, chanting is
given as the essential devotional (bhakti) activity to be performed
in Kali yuga in preference to fire sacrifices. As such, the black line
made from the ash of the fire sacrifice is not included. The second
difference arose due to Chaitanya Mahaprabhu's process of approaching
Krishna. In the Gaudiya line devotees generally approach Radha and
Krishna through a servant such as Tulsidevi. To indicate this, the red
dot representing Radha is replaced with a tulsi leaf offered at the base
of Krishna's feet. In Gaudiya belief only through the mercy of Tulsi
(or another pure devotee) can pure devotion to Radha & Krishna or
Krishna & Balarama be awakened.
In Nimbarka Sampradaya, the tilak is made of Gopi-Chandana (the clay from Gopi Kunda lake in Dwarka, Gujarat), as described in the Vasudeva Upanishad. It starts at the bridge of the nose and continues as two vertical lines to the top of the forehead. This is said to represent the temple of God. Within these lines, between the eyebrows is a black dot, made from the slate found in Barsana, Uttar Pradesh, the sacred birthplace of Radha. This is said to represent God as Radha and Krishna together. This tilak personifies the tenets of the Sampradaya, that God is Radha and Krishna together, none else. It is supposed to have been first given to Nimbarka at the time of his initiation to the sage, Narada. The tilak is first given to an initiate by their guru at the time of initiation, and after this, daily the devotee will remember his guru before he adorns the tilaka on his head.
Swaminarayan Sampradaya
The tilak is made of sandalwood paste. This has a cool, soothing effect and the fragrance helps to maintain a pure and clear mind. The chandlo is made of red kum kum (potash nitrate).The tilak represents the Lord and the chandlo represents the muktas that reside within Him. Once the Muktas enter the murti, they will eternally remain there. There is a union between them, i.e. they appear as one, but there is a distinction, the master and the devotee. When the two merge, they appear as one, but in reality they remain distinct in their nature and their attributes, with God remaining the master and the soul forever remaining the servant.Gaudiya sampradaya
Gaudiya sampradaya
Haridasa Swami
Ramanandi, Ramanuja
Ramanandi, Ramanuja
Vishnuswami, Valabha, Radhavalabha
Shankara
Vaishnava, different ( as seen above )
http://www.radha.name/images-gallery/different-marks-tilaks
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